The NYC Midnight 250 Word MicroFiction Challenge Round 1 of 3

It was just me and 4,400 of my closest writing friends. At 11:59 PM Friday December 8 I got my assignment. To move forward to round 2 I had to finish in the top ten of my group. There’s roughly 27 people in each of a lot of groups. Participants get 48 hours to submit a 250 word story that satisfies three criteria of Genre, Action, and a Word.

Group: 77

Genre: Horror

Action: Watching someone steal

Word: Hope

I started a story at the Writers Studio San Francisco, in 2014, about a guy who was so stoned on Vicodin that he didn’t feel chopping off his finger. The exercise was to write a story about something awful from a distant, dispassionate, even humorous voice, imitating Lorrie Moore’s tone from People Like That are the only People Here. I loved the exercise though it was greeted by scratching heads when I presented it in my spec fiction group ten years later. I tightened it up, added a bit of hope, a stolen finger, and submitted it to NYC Midnight Microfiction Challenge 250.

Semi-Sweet Sixteen

With Vicodin and iPod, he chops carrots for the cake. A hard one gives him trouble. He sharpens the knife on a long silver steel, then gives another go. Slick as snot it chops right off, but he feels a pang of regret as something red stains the neat stack of bright orange carrot spikes. He rinses and pats them dry with the hand that isn’t red. He doesn’t feel the missing digit.

            His sister hopes to win the sweet-sixteen cake contest. She sees the red digit among the choppings on the floor, and steals it into her pocket. Mother will be so proud. The cake is round with sixteen carrot spikes, each flash-frozen, and dipped in semi-sweet chocolate. She plucks one carrot from the cake, pulls the finger from her pocket, and pushes it into place as Mother slinks into the kitchen. 

            “The finger makes the cake” Mother says. “Where did you find it?”

            “On the floor with the carrots.”

            “Has your brother asked for it back?”

            “He’s still chopping. I don’t think he’s noticed.”

            “Take a photo of the cake then get a cardboard takeout box. Wipe the frosting from the finger. Wrap it in kale. Pack it with ice. A dash of salt may arrest the decay.”

            “Should I show it to him?”

            “Just tell him he’s hurt. Wrap his stub. Have him hold the box. Carefully walk him to the clinic.  But post the pictures before you go. Entries are due before dark.

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On February 8, late in the day, I thought I’d been cut. The email came late and I finished in tenth place. Just good enough to make it to round two.

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Beside getting a deadline to get my full attention on a writing project, every entrant gets feedback from several judges. Here’s what they had to say about Semi-Sweet Sixteen.

”Semi-Sweet 16” by Tom Adams –     WHAT THE JUDGES LIKED ABOUT YOUR STORY – {2319}  If the Addams Family ever had a cooking show on the Food Network, it would look something like this droll black humor story. I thought the brother was weird for not noticing his missing finger, but his sister was weirder for sticking the severed digit on the cake, and their mother was the weirdest of the three of them for being delighted at the macabre turn of events.   {2092}  The callous nature of the mother’s conversation with her daughter adds a bit of tension to the ending of the narrative.  {1955}  Well, that turned out unexpected! I was glad the mother and sister wanted to have the brother’s finger reattached—that showed they care about him (nice dialogue here, too that helped understand their dynamics). Also, the fact that he’s making the cake in the first place reflects how they feel about each other (they care). The mother calmly talking about entering the cake contest first before addressing his injury shows they’ve been here before with previous injuries.   WHAT THE JUDGES FEEL NEEDS WORK – {2319}  Obviously, this isn’t your average suburban family, and I wondered if their life outside of competitive baking was as outré as their taste in pastries. Perhaps you could trim the sentence about the brother’s knife-sharpening in order to offer a few details about their appearance, their clothing, or the kitchen they’re in that would show their skewed mindset applies to all things.   {2092}  The verbiage and perspective are a bit muddled throughout the narrative. Ex: ‘With Vicodin and iPod, he chops…’ or ‘His sister hopes to win…’ This detracts from our engagement with the story as the motivations of the characters are relatively unclear – beyond the notion of the contest. Consider reworking the story, focusing on one specific character to flesh out while giving more context for why the finger and contest matter so much.  {1955}  Consider revising your opening sentence. As written, it sounds like the Vicodin and iPod are the tools the character is using to chop the carrots (a dangling modifier). Your story switches from the brother’s point of view (“He doesn’t feel”) to the sister’s point of view (“She sees the bleeding digit”), also known as head-hopping. Consider revising from only one character’s point of view to avoid reader confusion. It would really only take a simple revision, such as, “The bleeding digit sits.” Microsoft Word is showing your story has 246 words so you have a little room to add content if you need to for revisions. You could cut “but” from “Slick as snot it chops right off, but he feels” and break the section it starts into a new sentence.

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Pretty good feedback if I wanted to take this story further. The 250 Word Microfiction Challenge forces authors to economize on language; say the most with fewest words. My second round submission started at 1800 words.

Second round feedback and ranking due out April 3, 2024.

Spirited Voices

I took a creative writing class called Spark Your Creativity, A Journey into Deep Imagination, from Darlene Frank this past January. Our group of adventuresome writers met over three days. We wrote, shared, and ultimately, with Darlene’s help, finished stories for publication in her Spirited Voices zine.

Darlene used her own stories as writing prompts. It was a great time to let go and see where the prompts led. I found myself deep in my family history from one of her prompts. I submitted and worked with Darlene on, What My Bones Know. It’s the last story in the zine. Darlene referred to my story as the benediction for the publication.

She’s teaching the class again this January. Read about it here. It’s fun, it’s generative, it’s on zoom.

Fault Zone: Detachment

One of my goals for 2023 was to get a story published in the California Writers’ Club, San Francisco Peninsula Branch’s Fault Zone Anthology. I joined the club several years ago and was fortunate to be invited into a writing critique group that included a Pushcart nominee (Tim Flood), a former Reuters journalist (David Harris), and a graphic designer (Doug Baird). All of us have stories in the anthology. Doug produced the cover’s front and back.

The club’s authors wrote fiction, non-fiction and poetry, that spoke to the word Detachment. My story, Ricky the Robot, is a speculative fiction piece about how a build-it-yourself robot helps a young boy cope with the emotional loss of his mother.

Ricky the Robot is part of a collection of short, speculative fiction stories built around a fictitious company named Domestic Alliance. The Domestic Alliance family of companies designs and delivers androids to promote the general welfare, provide for the common defense, and insure domestic tranquility for its subscribers.

The book is published by Paper Angel Press. The Fault Zone Detachment can be purchased here through Amazon on both Kindle and paperback. A hardbound book is due out soon.

Mendocino Coast Writers’ Conference 2023

I took a three-day Speculative Fiction workshop from Ploi Pirapokin. Three mornings in August we met from nine to noon workshopping two stories a day. What a blessing to have that much time talking with writers about our craft.

I entered the Speculative Fiction contest and won second place for my story, The Tutor. Ploi judged the contest and had this to say about the story.

A bildungsroman featuring recorded regrets, fatphobia, and an A.I. that provides the protagonist with a unique way to process his values.The protagonist’s earlier decision could have resulted in a more drastic consequence, which in turn, would be a deeper catalyst for his changed behavior.”

I’ve made revisions to The Tutor and workshopped it with my Speculative Fiction writing group. With a few more tweaks I’ll send it out; see if there’s an audience beyond my classes.

I’ve signed up for next year’s conference. Check it out here.

We Are Unique

I finished a memoir and personal essay class from Sackett Street Workshops in NYC. I found them on the Wet Ink web site. Wet Ink is an online platform to teach writing.

For our last class our instructor, Anna Qu, gave us this quote from Martha Graham. I found it soothing and a call to action. For there is only one of me, just like there is only one of you.

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is, nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.”

Truth or another darn lie

virus here to wake us up

no interest in going it alone 

rhythm, an off and on story,

sing praise of the one and only.

bend metal and fragmented hopes

miracles, come when least expected

wash windows, and pretend it’s a race

bless us, we are worthy of another chance.

premonition of great import 

settle in place with glue and sticks

stage ourselves into a wild ass rampage

solitude might coax you out of the shadows.

gas masks and a trace of irony 

science in melodrama time

we live the world on fire

truth, our scenario. 

Five of Earth, Nadir

five of earth, nadir, 

dark and solitary, 

stuck in the pit, 

can you feel 

what I feel?

Get your flashlight, 

send a beam, 

gather your 

wits, and 

let the 

world 

sing.

Figuring out the art of revision, 

so many stories, so much 

revision yet to be 

started.

I am loved, 

I couldn’t feel my own, 

she held me, let me cry, 

put her hand on my heart,  

balance, heart and art.

Low tide

venus all around 

we saw her in the reflection 

on the sand after the mallards left.

be still and listen

Oscar Ichazo

Oscar with text

My first spiritual teacher, Oscar Ichazo, died this past week. He started the school of Arica, and taught a body of knowlege about what it is to be human: mystical traditions he learned from his far flung travels, both inside and out. He provided a family as I took my first steps on the Fool’s Journey out of Santa Cruz in 1976. I bought a one-way ticket to Hawaii and stepped into the void.

I got word of Oscar’s passing from Chuck. He’s a Christian cowboy, lives in Texas with a Christian wife, a fine ranch and a lot of dogs. He has grace and a lion’s heart, and can flat spin a yarn. He can carry a city on his back and never say more than, “if I get tired, we can always take the truck.”

I called Kent, whom I adore, his PhDness and his erudite humor. I talked with Shannon, our lady, who called me back and left a message that she loved me.

I texted Laurel who said she’d say a prayer. I called Annie, and started to leave the message that Oscar had died, but thought she’d already know. She picked up and said, “How the hell would I know?” and we gabbed for nearly an hour.

Of all the Arica work, the Rainbow Light is still my favorite. Three months of ritual life: food, exercise, precise meditations, no sex or drugs. It was sparse. And for the most part, I loved it. The last night, before I began the meditation, Lynn,  came into my room and offered me cannabis. I hesitated for a moment then smoked it and started the work. 

I took a deep breath in, and exhaled the mantra. After a few chants, the universe said “I got this,” and for the next hour she breathed me and listened to the my voice repeat Aham Brahmasmi with every exhale. I’ve rarely experienced anything like it. 

The literal translation, from my internet pokings, is I am Brahman, the absolute reality, the supreme existence.

I miss the Holy Work: rituals with candles and chanting. When we had a room full of people and everyone chanted OM, I was home. It filled me inside, from top to bottom and made my space a better place.

Since becoming Covid19 sequestered with my wife, a truely magnificent woman, I found a recording on Spotify, that has brought me great joy. Tibetan monks chant OM and AHH in unison. It’s accompanied by a strong cast of synth, and when I sit and sing along, leave all the news behind, I am in the company of strangers, feeling bigger than this body.

I feel the OMs up and down my body, and the Ahhh into the greater space where it seems to collect other sounds, as a harmonic appears, that wasn’t there before.

If you’ve never done this stuff, it might seem weird or down right wrong, so it may not be for you. But if you want to trade in the news for a bit of inside time, close your eyes, and with ear buds in, listen to the monks start the song. If you’re inclined, sing along. I’ve even done it in the living room with my wife, our son, his lady, and our four year old grand daughter.

Spotify: OM Chanting – Meditative Sacred Sound Tibetan Monks OM

When I’m done, I transition back to my life here and now, with a song that brings Chuck to mind, called Lonesome Rider, by Alex Cortiz; a twangy tune that moves my dogs.

It’s sunset. Hold my hand

Spring Equinox Sunset
From our deck. For the next six months we see sunsets on the water.

While doing my daily Calm, Tamara Levitt talked about how poetry is healthy to heal wounds, relieve stress.

If you’re curious grab your writing instrument of choice and write as fast as you can for half a page, let the words fall from your fingers, let them plop on the page. Throw up, throw a tantrum, Ramble and jumble your way to the middle of the page. It’s ok to write a full page, and if you can’t stop, continue until you do.

Now go through what you wrote and find bits and pieces that you like. Highlight or under line them. Could be a word, could be a phrase. Gather them up, arrange them on the page. The poem that follows was done just that way, and it may not resonate with you, it may bore you to tears, it might tell you why you’ve always hated poetry, but for me, it’s a note from myself, a hint or a clue on what to do, where to look.

Tonight I have a date with my wife, to sit on the deck and watch the sun set. It’s the first time since the Autumnal Equinox that the sun sets on the ocean, just past Pedro Point. She’s headed north, where she’ll reach the end of her travels on summer solstice. She’ll pause to enjoy the long artic days before racing back for the Autumnal Equinox when she’ll set behind Pedro point for the next six months. My wife and I will hold hands, watch the sun set and bask in the glow of our 34th wedding anniversary.

It’s sunset. Hold my hand

relief from trimmings of panic, 

shelves gone empty let the 

train stop at your door 

for a long cup of tea

get that fun back in your step

There there, there’s time

stage lit for progress

believe the words

tell our story, would you like to guess

sun sets on the ocean tonight

so we’re talking angels, 

yes, white winged,

Facet, filled to the brim

homeward bound, 

safe and sound 

in the wake